Thursday, March 31, 2011
Pushcart Board nominates
four upstreet works
In addition to the nominations sent in by independent publishers and literary magazines, Pushcart Press also considers work nominated by its own Board of Contributing Editors. For the fourth year in a row, the Pushcart Board has nominated work from upstreet to be considered for inclusion in the next Pushcart Prize anthology, along with the six nominations made by our editors. The nominated works from upstreet number six are a poem by Karen Chase, "Leaving Home," a short story by Erik Wennermark, "The True Story of Yu Tien," and two essays, "That Furrowed Brow," by Andrew D. Cohen, and "The Barest Shapes of Light," by Nina Feng. It is a great compliment for upstreet to be singled out by this Board, which contains many distinguished writers. Congratulations to all four nominees, and best wishes to them in the competition.
Thursday, March 3, 2011
Robin Oliveira novel chosen for
two community reading programs
The city of Roswell, Georgia, selected the book for its Roswell Reads Program, which began in February and will conclude with a literary luncheon at 11:30am Saturday, March 5, at the Roswell Adult Recreation Center, at which Robin will give a talk on her novel.
Schenectady County, New York, chose the novel for its One County, One Book Program, which will take place in April and feature a talk by the author at 2pm Saturday, April 9, at Schenectady County Community College, followed by a reception and book signing. Area book groups may enter a drawing to have lunch with Robin preceding her SCCC appearance.
Set in the mid-19th century, My Name is Mary Sutter follows the aspirations and difficulties of a brilliant, somewhat odd, yet remarkable young midwife from Albany, NY, whose lofty hope of becoming a surgeon far exceeds what her family and the physicians and medical schools of her time are willing to accept. She travels to Washington, DC, to work in the Civil War hospitals, only to find the challenges formidable and the pull of home unavoidable.
Robin Oliveira grew up in Loudonville, NY. She holds a BA in Russian from the University of Montana and an MFA in writing from Vermont College of Fine Arts, and is a Registered Nurse. In 2007, she won the $10,000 15th annual James Jones First Novel Fellowship, awarded to an American author of a first-novel-in-progress by the James Jones Literary Society and Wilkes University, Wilkes-Barre, PA. She has been Fiction Editor for upstreet number three, four, five, six, and the upcoming seven, which will appear in June of this year. Robin lives in Seattle with her husband, Andrew, their daughter, Noelle, and their son, Miles. My Name is Mary Sutter is her first novel.
Wednesday, March 2, 2011
Tiff Holland wins Rose Metal Press
Short Short Chapbook Award
Rose Metal Press describes the book this way: “The stories in Betty Superman are true, except when they’re not. They’re based on Tiff Holland’s relationship with her mother, a story arc all its own, only Betty isn’t her mother and Holland’s not the narrator, not completely. … In unsentimental and percussive prose, Holland examines Betty as character, dragon lady, and mother.”
Tiff’s essay “Ooh Baby” was published in upstreet number four, and her essay “Eidetic” in upstreet number five. She earned her PhD in Creative Writing from the Center for Writers at the University of Southern Mississippi. Her poetry, fiction and creative nonfiction have appeared in many other journals and anthologies, including Hobarts, Smokelong Quarterly, The Atlanta Review, The Mississippi Review, and Elimae. In 2007 her story “The Boys” was named one of StorySouth’s top 100, and the following year “Cadet” one of Wigleaf’s top 50. She has also won a Wick Award from Kent State University. Her poetry chapbook, Bone in a Tin Funnel, is available through Pudding House Press.
Tiff lives in Round Rock, Texas, with her husband and daughter, and teaches at Austin Community College.
Saturday, February 12, 2011
Frances McCue poetry collection
to be launched February 20
Derived from the Arabic word baladi (land), “the bled” is a term invented by the French, who colonized much of North Africa. In this context, it means hinterland, or raw desert. Frances McCue and her family lived in Morocco for a year, on the edge of the bled, and this book is about the time they spent there. Frances’s husband, Gary Greaves, died on February 12, 2010, a year ago today.
“This book is that rare and necessary thing that real poetry is—a clear-eyed, ruthless, beautiful, terrible look at what it is to be human with a body and a brain and heart, to find love and to lose it, to be knocked around by death and grief, to wonder how you can go on living but knowing you must. To try to understand—through words—what can’t be understood.”—Rebecca Brown
“This is the most moving account of a spouse’s death that I have ever read.”—James Tate
Frances McCue is the author of the poetry collection The Stenographer’s Breakfast (Beacon, 1992) and the nonfiction book The Northwest Towns of Richard Hugo (University of Washington, 2010). Her poems have appeared or are forthcoming in upstreet number seven, Cutbank, The Seattle Review, Crab Creek Review, Poetry Northwest, MS. Magazine, and other publications, and in several anthologies, including Looking Together, For a Living: The Poetry of Work, and World in Our Words: Contemporary American Women Writers. Her essays and reviews have been published in a variety of magazines and newspapers, including The Georgia Review, Tin House, The Seattle Times, The Stranger, The Pittsburgh Post-Gazette, and The New York Times Book Review.
Frances’s honors include a 2009 Pushcart Prize nomination, a 2009 GAMMA award, a 2006 Seattle Mayor’s Office of Arts and Cultural Affairs grant, a 2006 Jack Straw Writers Fellowship, and a 4Culture 2004 Individual Artist Award. She is Writer in Residence and Lecturer at the University of Washington in Seattle, and has been a Fulbright Senior Scholar and Lecturer at Cadi Ayyad University in Marrakesh, Morocco. She was Founding Executive/Artistic Director of the Richard Hugo House in Seattle, the largest literary center west of the Mississippi.
A second launch event for The Bled will take place March 4 at Open Books in Seattle, Washington. You may visit Frances McCue online at her blog.
Frances McCue is the author of the poetry collection The Stenographer’s Breakfast (Beacon, 1992) and the nonfiction book The Northwest Towns of Richard Hugo (University of Washington, 2010). Her poems have appeared or are forthcoming in upstreet number seven, Cutbank, The Seattle Review, Crab Creek Review, Poetry Northwest, MS. Magazine, and other publications, and in several anthologies, including Looking Together, For a Living: The Poetry of Work, and World in Our Words: Contemporary American Women Writers. Her essays and reviews have been published in a variety of magazines and newspapers, including The Georgia Review, Tin House, The Seattle Times, The Stranger, The Pittsburgh Post-Gazette, and The New York Times Book Review.
Frances’s honors include a 2009 Pushcart Prize nomination, a 2009 GAMMA award, a 2006 Seattle Mayor’s Office of Arts and Cultural Affairs grant, a 2006 Jack Straw Writers Fellowship, and a 4Culture 2004 Individual Artist Award. She is Writer in Residence and Lecturer at the University of Washington in Seattle, and has been a Fulbright Senior Scholar and Lecturer at Cadi Ayyad University in Marrakesh, Morocco. She was Founding Executive/Artistic Director of the Richard Hugo House in Seattle, the largest literary center west of the Mississippi.
A second launch event for The Bled will take place March 4 at Open Books in Seattle, Washington. You may visit Frances McCue online at her blog.
Tuesday, February 8, 2011
Feldman upstreet poem chosen
for Best American Poetry 2011
“In November,” a poem by Alan Feldman appearing in upstreet number six, has been chosen for publication in The Best American Poetry 2011 by Guest Editor Kevin Young.
Alan Feldman’s most recent full-length poetry collection, A Sail to Great Island (U. of Wisconsin Press), was awarded the 2004 Felix Pollak Prize in Poetry, and in 2005 was one of two finalists for the National Jewish Book Award in poetry. Another full-length collection, The Happy Genius (Sun, 1978), won the 1979 Elliston Book Award for the best poetry collection published by an independent U.S. press. His poems have appeared in such publications as The Atlantic, The New Yorker, The Nation, Poetry, Ploughshares, Threepenny Review, Virginia Quarterly Review, upstreet number four (“Preparing for Class” and “The Grounding”) and upstreet number five (“On the Water”).
Alan’s work is also represented in a number of anthologies, including The Best American Poetry 2001, and he has received poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation. He and his wife, artist Nan Hass Feldman, live in Framingham and Wellfleet, Massachusetts, where he likes to cruise his double-keeled boat on Cape Cod Bay. You may visit Alan online at his website.
The editors of upstreet are delighted to congratulate Alan on his inclusion in The Best American Poetry 2011.
Monday, January 31, 2011
upstreet Fiction Editor
featured in two AWP events
The reading will be a celebration of VCFA’s 30-year history as one of the first low-residency MFA in Writing programs in the country. As an innovator in the field, the College will celebrate this milestone with an introduction by Mark Doty and a reading by former faculty member Sydney Lea, Robin, and three other alumni/ae—Nin Andrews, Earl Braggs, and Wally Lamb (who was the subject of the upstreet number three author interview).
The panel will be an exploration of the craft of historical fiction by Robin and four other debut authors—Dolen Perkins-Valdez, Kelly O’Connor McNees, John Pipkin, and Anna Keesey, the authors of, respectively, Wench, The Lost Summer of Louisa May Alcott, Woodsburner, and Little Century. They will delve into the role of imagination, the use of fictional versus real characters, the incorporation of research, and the commitment of the author to real events.
Thursday, January 27, 2011
upstreet is having a party—
and you’re invited
Our party will be at 6:30 p.m. on Thursday 3 February at Medaterra, 2614 Connecticut Avenue NW, a restaurant within walking distance of the Marriott. This event is free and open to the public. The readers, all poets and prose writers from upstreet number six, will be Mark Halliday, David Jauss, Jay Kauffmann, Maureen Sherbondy, Robin Underdahl, and Michelle Yasmine Valladares. upstreet Editor/Publisher Vivian Dorsel will emcee the festivities.
Following the reading, there will be an opportunity for authors to sign copies of upstreet number six, or their own books, which will also be available for purchase. Light refreshments will be provided. Come help us celebrate AWP 2011 in Washington—and don’t forget to visit upstreet’s table (#C10) in the Bookfair. On Saturday, the final day of the Conference, admission to the Bookfair will be open to the public at no charge.
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